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    請使用永久網址來引用或連結此文件: http://ir.lib.ksu.edu.tw/handle/987654321/14823


    題名: 試論以詩寫史的創作特質—以清代臺灣貞孝節烈詩歌為例
    Essays on Creative Quality from Writing History in Poetic Format—Using Qing Dynasty’s Taiwanese Poetries with Topics of Chastity, Filial Piety, Moral Integrity and Martyrdom as Example
    作者: 曾玉惠
    貢獻者: 崑山科技大學通識教育中心
    關鍵詞: 清代
    臺灣
    詩史
    創作特質
    臺灣貞節詩
    Qing Dynasty
    Poetry of chastity
    filial piety
    moral integrity and martyrdom
    Poetic history
    Creative quality
    日期: 2010-06
    上傳時間: 2011-10-27 00:33:39 (UTC+8)
    出版者: 崑山科技大學通識教育中心
    摘要: 自晚唐詩家頌稱杜甫為「詩史」,「詩」與「史」兩種文類的結合與分歧,歷朝各有不同的詮釋。現代學者或從歷代詩評家的評論,剖析「詩史」內涵的演變,或以詩歌為文本以探討「詩史」實踐成果,然其研究多集中於明清兩代,且多以特定詩家作品為範圍。本文以清代臺灣貞孝節烈詩歌為研究主題,析出文本大都表現出「以詩寫史」的創作企圖,其題詠的人事有確切的時空座標,創作手法傾向以評論與營造意象為重點,利用象徵性的景象、事物及大量典故,以比擬譬況,借物起興,最終目的為傳達道德化的價值判斷。
    Tu Fu was extolled as the “Poetic historian” by poets during late Tang Dynasty. The essence of integration and divergence resulted from two literary styles of “poem” and “history” had been interpreted differently throughout each of the succeeding dynasties. Comments from contemporary scholars or poetic commentators in succeeding dynasties all dissected and analyzed the contents and evolutions of the so called “poetic history”, they tended to explore the realization findings of “poetic history” from the text aspect of the poetry itself. Nonetheless, their researches were most likely inevitably concentrating in two dynasties of either Ming or Qing with scope limited to specific artworks of certain poets. Hence, this thesis tried to rely upon the text of poetries in chastity, filial piety, moral integrity and martyrdom so as to analyze with the expectation that most texts had the creation attempts expressed in the format of “writing history in poetry”; additionally, the outer appearance also possessed certain framework of realism with lyrical content expression. Both characters and affairs inscribed and recited in this thesis had the specific time and space coordinates, in addition, its expression technique tended to be lyrical in nature, its expression focus was inclined to be imagery at best. And it applied the symbolic scenes, affairs and large amount of allusions, targeting and appealing to imaginations. It borrowed the parallel and analogy approaches, to use the pretext to draft and manage to rise above eventually; ultimately, this turned out to be the value judgment in conveying the imbedded moral messages.
    關聯: 崑山科技大學人文暨社會科學學報 第二期 p.177-205
    顯示於類別:[崑山科技大學人文暨社會科學學報] 第2期

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