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    Please use this identifier to cite or link to this item: http://ir.lib.ksu.edu.tw/handle/987654321/11268


    Title: 維克多‧瓦沙雷利(Victor Vasarely) 1929 年-1992 年藝術作品之造形應用研究
    A Study on the Application of Shape of Victor Vasarely’s Artifacts, 1929-1992
    Authors: 黃琡雅;Sue-Ya Huang
    郁道琦;Tao-Chi Yu
    Contributor: 視覺傳達設計研究所
    Keywords: Optical Art
    shape, Victor Vasarely
    Expert method
    Cluster Analysis method
    歐普藝術
    造形
    維克多‧瓦沙雷利
    專家法
    Date: 2004-12
    Issue Date: 2010-11-08 10:29:57 (UTC+8)
    Publisher: 崑山科技大學
    Abstract: 本研究針對歐普藝術(Optical Art)先驅維克多‧瓦沙雷利(Victor Vasarely) 1929 年至
    1992 年共720 件的藝術作品中有關造形應用情況之研究。採專家法與集群分析法,依
    下列五大部份進行分析統計。研究結果可歸納出瓦沙雷利作品各年代造形應用之趨向
    為:
    一、構成形態:依使用次數多寡之排序依序為:抽象、介於抽象與具象之間、具象。
    二、造形要素:依使用次數多寡之排序依序為:複合組合(點、直線、曲線、面、體)、
    單一組合(點、直線、曲線、面、體)。
    三、視覺效果感知:依使用次數多寡之排序依序為:空間感/質感、立體感、量感、速
    度感、透明感。
    四、美的形式原理:依使用次數多寡之排序依序為:比例/秩序、平衡、調和/統一、
    反覆、律動、對比、單純、對稱、漸變。
    五、構圖原理:依使用次數多寡之排序依序為:分割、比例、透視、數列與級數、變
    形、連接、擴散、集中、繁殖、分離、疊紋、重疊。
    綜合上述歸納結果可知維克多‧瓦沙雷利1929 年至1992 年之畫作,在各年代中,
    抽象、複合組合、空間感與質感、比例與秩序、分割原理等項目,呈現出造形應用次
    數最多之趨勢。同時均以1966 年至1970 年期間出現頻率最為顯著,而1971 年至1975
    年期間則次之。
    The study is an advanced research on the application of shape applied on the artifacts
    of Victor Vasarely, one of the progenitors of Optical Art. The study analyzed 720 artifacts of
    Victor Vasarely from year 1929 to 1992 by the Cluster Analysis method and Expert method.
    The analysis and statistic are proceeding based on five portions: Construct of Shape, Shape
    Element, Visual Perception, Principles of form and Principles of Composition. The analysis
    is generalized to a result that the trend of the application of shape applied on the artifacts of
    維克多‧瓦沙雷利(Victor Vasarely) 1929 年-1992 年
    56
    Victor Vasarely for different years is as below:
    1. Construct of Shape – list by the frequency of using:
    Abstract、between Abstract and Concrete、Concrete.
    2. Shape Element – list by the frequency of using:
    Compound Combination(Point、Line、Curve、Plane、Solid)、Single Combination(Point、
    Line、Curve、Plane、Solid).
    3. Visual Perception –list by the frequency of using:
    Space、Texture、3 Dimension、Volume、Speed、Transparent.
    4. Principles of form – list by the frequency of using:
    Proportion、Order、Balance、Harmony、Unity、Repetition、Rhythm、Contrast、Simplicity、
    Symmetry、Gradation.
    5. Principles of Composition – list by the frequency of using:
    Division、Proportion、Perspective、Series and Progression、Deformation、Connect、
    Spread、Centrality、Reproduce、Separate、Moire effect、Overlap.
    To generalize the analysis result listed above. We can get a trend from the 720 artifacts
    of Victor Vasarely since year 1929 to 1992. The items of Abstract, Compound Combination,
    Space、Texture, Proportion、Order, and Division are applied most frequent in the trend of the
    application of shape. Besides, these items get the most application frequency of shape during
    year 1966 to 1970 and the second application frequency of shape during year 1971 to 1975.
    Relation: 崑山科技大學學報第一卷‧第一期
    Appears in Collections:[崑山科技大學學報] 第1期

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